Lupher, who is the organizer of the event, said curators and directors of the films being showcased will join the Honors College for a Q&A session on Nov. One guest was Sonia Lupher, a visiting lecturer in the film and media studies department, who talked about the Final Girls Berlin Film Festival. There were several other guests at the panel who discussed future plans and hopes for the scholar community, as well as upcoming events. While the collection is not fully open to the public and, due to the pandemic, an official opening date is not clear, Rubin said the staff is willing to work with students to find any resources they need. Rubin and Herman joined with other faculty members such as Audrey Murrell, the dean of the Honors College, and Adam Lowenstein, a film and media studies professor and the head of Pitt’s Horror Studies Working Group, last Friday to host an information session for the scholar community.ĭuring the info session, the panelists discussed the Romero archive and what resources students could use. “We’ve got more, with a specific eye to try and diversify the holdings and specifically seeking out horror that’s been created by underrepresented voices.” “We’re not just limited to sort of the usual like Stephen King and Dean Koon stuff,” Rubin said. Rubin said the University is hoping to build a diverse archive beyond the well-known staples of the horror genre. The Romero collection is a part of Pitt’s larger Horror Studies archive, which includes collections and materials from John Russo, a collaborator of Romero’s, archives from the production “ Cryptic Pictures ,” the Daniel Kraus papers and more materials that they are working on acquiring. “Then on the library side, our goal and our involvement is to be able to provide those resources that will allow scholarship in that area.” “We want faculty and students that are interested in that to be able to then have that place to gather,” Rubin said. Romero archival collection,” Herman said.īen Rubin, an archivist with the University Library System and curator of the collection, said the archive’s role is to support students interested in doing research on the production of horror films. “One of the avenues that we wanted to pursue is certainly the arts, and there’s this incredible opportunity associated with the Hillman Library, it’s the George A. Romero collection, which the University acquired in May 2019. Herman said the “Horror Genre as a Social Force” community specifically came about to utilize the George A. “The scholar communities are based off of this model in higher education that are called ‘communities of practice,’ which basically involve collaborative interdisciplinary people who share the same interests revolving around an issue,” Herman said. Members work on research projects, collaborate with local nonprofits and participate in community events. According to Everett Herman, the director of speaking and faculty engagement for the Honors College, the main goal of this and other scholar communities is to allow students to work with other students and faculty interested in solving similar issues.
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